The veneer press worked perfectly for me using the hot hide glue. I brushed glue on the picture back and the substrate and rubbed it in with circular motions to make sure there would be no dry spots. Here is the sequence of the pressing procedure. This was photographed as I took it out of the press, but I am showing the sequence backwards to give you an idea of how I prepared the glue up for pressing.
Photo below: a plastic layer to protect the bottom press caul from glue squeeze-out.
Photo below: The MDF substrate which the picture will be glued to
Photo below: A plastic layer to cover the top of the substrate with the picture glued in place, also to prevent glue squeeze-out from getting on the upper caul.
Photo below: 4 layers of thin polyurethane foam matting to even out the pressure.
Photo below: MDF caul the same size as the substrate
Photo below: Package in the press with the big press caul and the jack in place.
Photo below: Package out of the press and I have started removing the paper from the face side. Quite a thrilling moment! This is done by moistening the paper and scraping it off. I found that a chisel worked best, but I was very careful to not nick or cut the veneers. I took my time and remoistened as I removed the different layers.
Photo below: The emerging picture began to give me hope of at least limited success.
Photo below: After filling most of the holes and improving a couple of things Like the pipe, etc. I still have a couple of spots to fill with veneer and some very small spots to fill with mastic.
My own conclusions:
Technically it came out better than I expected, especially considering the problems I made for myself with the pattern and paper backings. The next one should go a lot smoother and be a lot better.
The artistic part is hard for me to judge, especially since the original picture, done by my son Mark, is the real artwork behind this project and my input has been to just simplify the picture to make it suitable for a marquetry project. I did enjoy choosing the veneers. My selection was somewhat limited so I had to compromise quite a bit, especially with the dragon. The compromises could have been eliminated or at least reduced by adding more contrasting details, but I didn’t feel well enough qualified to go to that level yet.
All-in-all this was a positive experience and increased my skill levels with the chevalet and the craft knife. I also got more experience with the waywardness of veneers and sand shading. I did get pretty frustrated on occasion and I even considering tossing it a few times, but now I’m glad I didn’t.
I will be finishing up the picture on Monday and then I have to make a nice frame for it. I have some ideas for that already and I will show you the final product when I post the finished project.
Thank you all for joining me on this journey into the unknown and all your kind words and interest along the way.
-- Mike, an American living in Norway.