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Marquetry Cutting Styles #4: "Painting in Wood"

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Blog entry by shipwright posted 799 days ago 2720 reads 5 times favorited 25 comments Add to Favorites Watch
« Part 3: Classic Style Part 4 of Marquetry Cutting Styles series Part 5: Conical Cutting on the Chevalet »

At last I have photos to describe one more saw cutting marquetry style. I’m new to this one and didn’t feel up to trying to describe it without good photos.

The “Painting in Wood” style of marquetry cutting dates to early 17th century France and gets its name from the relationship of the typical subject material to the work of the painters of the period. The brightly colored baskets of fruit and flowers typical of many pieces of this period are examples of this style.

In terms of actual cutting, painting in wood is similar to Boulle style in that all colors are stack cut at one time together with the background. The difference is found in the way the packet is assembled and the product that is ultimately created.

In Boulle style you may remember, the packet was assembled of full sheets of each color and the result was several similar motifs with “mix and match” colored elements. This was an efficient use of veneer if the product was to be a geometric or graphic pattern where colors were not critical. Often both the positive and negative motifs were used and no waste at all was left over.

However if the subject matter was color critical as in an object from nature like a plant, flower or animal the Boulle style would produce a lot of waste veneer.

As the typical motifs found in painting in wood pieces are both color critical and often quite large, a more material economical method of packet assembly was needed. The answer was to make the packet layers out of pieced together bits of the required veneers and to fill the unused spaces with a cheap waste veneer, often softwood. Pictures will describe this better than words. I apologize for my picture taking sequence here. I didn’t think to photograph the layers until after the cutting was done but they will show the process just as well.

The following are the six layers I used to cut this motif. It is a very tricky process to make sure you have all the colors you want, where you want them, somewhere on one of the layers. I’m very new at this style and I’m sure a more experienced marquetreur would be more efficient but I think you will get the idea.

This photo shows an area of Bloodwood, some Amaranth (Purpleheart) and three small areas of dyed black. The “waste” veneer on all layers is some paper backed Walnut that I have a quite a bit of lying around.

The second shows the dyed yellow that will be the flowers and the Poplar that will be the sash and the bow.

This one has the dyed green for the leaves and some more black.

The last of the black

The Mahogany for the flutes

And finally the Birdseye Maple for the ground.

When the cutting is finished, there remains only one motif but with much less waste than if the layers had been solid sheets of each required veneer species. Please excuse this last photo. The pieces are just placed together and some are a bit curled.

That’s one more covered. Thanks for looking.

As always comments, critiques and questions are encouraged.

Paul

-- Paul M ..............If God wanted us to have fiberglass boats he would have given us fiberglass trees. http://prmdesigns.com/



25 comments so far

View Schwieb's profile

Schwieb

1464 posts in 2045 days


#1 posted 799 days ago

I’ve said it before, I’ll say it again. I am so amazed by your talent. I wish I could learn to do what you do so very well. Thanks for giving some further insight to the world of marquetry

-- Dr. Ken, Florida - Durch harte arbeit werden Träume wahr.

View a1Jim's profile

a1Jim

111999 posts in 2161 days


#2 posted 799 days ago

wow Paul That’s one amazing work of art. Beautiful.

-- http://artisticwoodstudio.com Custom furniture

View larryw's profile

larryw

280 posts in 1246 days


#3 posted 799 days ago

Paul, I’m always amazed by your marquetry skills. You seem to be the master in all styles of marquetry.

-- "everything is beautiful, but not everyone sees it" ~confucius-551-449 b.c.~

View grizzman's profile

grizzman

6699 posts in 1887 days


#4 posted 799 days ago

well i think i sorta see how this is done, but the very small ones, like the white ring around the instrument…im not sure Paul…lol…..maybe you need to make a grizz carrier that can go next to Lucy for your trip back home, so i can come along and see if i can learn this…lol…would Lucy mind…ps, ok wrong color, its yellow, and…wow this is tedious work…

-- GRIZZMAN ...[''''']

View Joe Lyddon's profile

Joe Lyddon

7595 posts in 2636 days


#5 posted 799 days ago

Paul, thank you very much for taking the time to take those pictures during the Marquetry process!

AWESOME!

It’s truly amazing how that can be done…

Thanks again.

-- Have Fun! Joe Lyddon - Alta Loma, CA USA - Home: http://www.WoodworkStuff.net ... My Small Gallery: http://www.ncwoodworker.net/pp/showgallery.php?ppuser=1389&cat=500"

View SisQMark's profile

SisQMark

379 posts in 1184 days


#6 posted 799 days ago

A remarkable art form you have mastered quite gracefully Paul. Whenever I need some inspiration I just look at your projects. Your work is masterful & your skill is second to none. Thank you for sharing your talent with us, it gives us a higher appreciation for this art form.
Mark~

-- Don't waste today, it is yesterdays tomorrow!~SisQMark

View Lee A. Jesberger's profile

Lee A. Jesberger

6646 posts in 2563 days


#7 posted 799 days ago

Hey Paul,

Beautiful work!

You’re a master.

Lee

-- by Lee A. Jesberger http://www.prowoodworkingtips.com http://www.ezee-feed.com

View gfadvm's profile

gfadvm

10408 posts in 1274 days


#8 posted 799 days ago

You are an artist. Keep posting these as they are the epitome of wood artistry.

-- " I'll try to be nicer, if you'll try to be smarter" gfadvm

View Greg The Cajun Box Sculptor's profile

Greg The Cajun Box Sculptor

4897 posts in 1892 days


#9 posted 799 days ago

Absolutely fantastic…Definitely an art and you have learned it quite well.

-- Every step of each project is considered my masterpiece because I want the finished product to reflect the quality of my work.

View stefang's profile

stefang

12401 posts in 1918 days


#10 posted 799 days ago

Beautiful work Paul. Your progress with this marquetry work is truly amazing. I have seen this technique before as demonstrated in the last FWW issue by Paul Shurchz (maybe misspelled name). I wouldn’t mind trying this some time on my scroll saw, but it is probably better done with a Chevalet like yours. Do you think a no. 2 blade is small enough for this kind of work?

-- Mike, an American living in Norway.

View ShipWreck's profile

ShipWreck

536 posts in 2336 days


#11 posted 799 days ago

It makes my head hurt to think of the patience it takes to do this type of artistry.

Beautiful work.

V/R….John

View Brit's profile

Brit

5103 posts in 1426 days


#12 posted 798 days ago

Thanks for the clear explanation. This series is a great resource.

-- Andy -- Old Chinese proverb say: If you think something can't be done, don't interrupt man who is doing it.

View HalDougherty's profile

HalDougherty

1820 posts in 1821 days


#13 posted 798 days ago

That’s beautiful! I’m always impressed by your attention to detail.

-- Hal, Tennessee http://www.first285.com

View Roger's profile

Roger

13946 posts in 1388 days


#14 posted 798 days ago

Very beautiful, tedious, and just amazing. Thnx for the explanation

-- Roger from KY. Work/Play/Travel Safe. Kentuk55@bellsouth.net

View SPalm's profile

SPalm

4700 posts in 2466 days


#15 posted 798 days ago

Sweet!
You’ve got mad artistic skills. Patience I can do, but wow, I have trouble doing a curved line. I can really appreciate the work that goes into this.

Very nice Paul, thanks.
Steve

-- -- I'm no rocket surgeon

showing 1 through 15 of 25 comments

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