|Project by RogerBean||posted 06-26-2012 09:32 PM||8215 views||25 times favorited||40 comments|
This box was made to store a dozen fountain pens. I’m still experimenting with new box shapes, and in this case it’s the lid that’s shaped rather than the front. The shape is similar to an 1820 English tea caddy I saw once. The lid becomes the focal point of the box. I also wanted to try cross-banding veneer on a box… and in a curved shape.
The box is 11 1/2” by 7 1/2” by 3 3/8” high. It holds 12 pens, with space for two bottles (different colors) of ink. The carcass is Baltic birch ply and MDF. The finish is French polish over spirit sanding sealer. I learned that Indian rosewood has very open grain!
It’s made of Indian rosewood veneer and solids. It’s intended to speak to the English boxes of the early nineteenth century. I had originally planned a more elaborate decoration scheme, but abandoned it in favor of a simple brass oval inlay and the small brass lock escutcheon. Seemed better. The cut engraving of the simple quill and ink bottle on the oval was done by hand. I haven’t picked up a graver in over 15 years, and I’m afraid it shows. It felt a lot like knitting socks with a catcher’s mitt on each hand. I need a lot of practice.
The interior is divided by a center section containing two ink bottles and a small spaces for ink cartridges. I chose Pelican Edelstein ink for their elegant bottles. (If the caps were of German silver, they would be perfect.) The box is lined with navy pig suede. The two small lift-out trays and lower dividers are ebony. The tray dividers are pinned with brass pins. The vaulted lid both reduces weight and provides an interesting shape to the interior (though it increases the challenge of installing 80 pieces of lining).
The hinges are Andrew Crawford’s beautiful smartHinges. The opening edges are bordered with a fine white/black/white line. The lock is from WhiteChapel, Ltd. as is the lock escutcheon. The blank brass oval came from trackofthewolf.com, also a good source for the 1/16 brass rods used for the tray pins. The navy pig suede is from Alma Leather in London.
The 3/8” high base is also of Indian rosewood and is shaped in a period profile to anchor and balance the prominence of the lid shape. It has become my favorite base shape. Keeping with the period theme, the bottom itself is veneered in the same rosewood (rather than covering with leather) and contains the inlayed maker’s mark. I try to include interesting details, no matter how the box is turned, and without unfinished views, or rough edges. I like the box to be “finished” regardless of how it’s viewed.
Parting thought: For those of us who spend so much time with our laptop, iPad, iPod, and iPhones, fountain pens are a comforting connection to an earlier time – when people would actually “write” letters with real ink. Fountain pens are a bit like a genuine chronograph, with all the moving gears and wheels, as opposed to the accurate, but sterile, electronic wrist watch. ...things that can be just admired for what they are: common items from the past, but rapidly becoming luxuries.
OK, so I’m a throwback. But I’m quite comfortable with it. :-)
Thanks for looking in. Your comments and thoughts are always welcome.
-- "Everybody makes mistakes. A craftsman always fixes them." (Monty Kennedy, "The Checkering and Carving of Gunstocks", 1952)