|Project by RogerBean||posted 645 days ago||2432 views||7 times favorited||35 comments|
Two Simple Walnut Boxes
Two more boxes from Autumn’s figured black walnut. Since they’re similar, I’ll post them together. I’ve long been seeking the “simple, beautiful box”. Something I always think about, never seeming to really get there. But it doesn’t hurt to keep working on it, so these two are my latest shot.
I like period boxes, and typically design mine to look as though they could have been made around 1800, but these two are sort of “period neutral”. They began as two simple solid walnut boxes from the same plank re-sawn and finished to a 5/16” thickness. Each has a raised panel lid, while slightly different in size (to compensate for a couple hidden worm holes).
This wood is probably not technically “burl” as it’s not from a separate growth on the tree. It’s more like a cluster of pin knots in a gnarly tree. I still have a couple of 4” thick planks of this wood, so you’ll probably see more of it someday.
The larger box is 9 3/4” x 6” x 2 1/4” and the smaller is 8 1/4” x 4 7/8” x 2”. The finish is Sutherland-Welles tung oil over a coat of Herter’s French red. Hinges are Brusso 1 1/4” stop hinges, hand polished with slotted screws.
The smaller of the two received a lift which began as a disc turned from a betel nut. The nut piece, by itself, didn’t seem quite right, so I added a turned ring of African blackwood. The only other adornment is the pig suede lining. The underside of the lid shows the burly figure of the lid.
The larger one has a circular blackwood lift with a recessed ivory inlay. This little domed inlay was contributed by my wife from an orphaned ear ring stud, so she claims this box.
The second box is a bit larger and has a 3/8 coved wenge base, where the smaller is left plain.
The different base structures called for different ways of presenting the maker’s mark.
Thanks for looking in.
-- "Everybody makes mistakes. A craftsman always fixes them." (Monty Kennedy, "The Checkering and Carving of Gunstocks", 1952)