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Jin-Di-Sugi Frame

Project by drgoodwood posted 42 days ago 357 views 0 times favorited 8 comments Add to Favorites Watch
Jin-Di-Sugi Frame
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Here’s a quick photo of an Arts & Crafts framing technique that I am using for Art Tiles.

This frame is made of cedar and is assembled with slotted half-lap joints.
All the cuts were made with Japanese hand tools.
A little hand sanding was used where needed.

The cedar was burnt and scrubbed with wire brushes.
The finish is resin modified shellac.

I am also using Southern Yellow Pine for this series.

Note: This art tile is a casting of a carving made by a brillant local sculptor named David Golden.
This is an authorized copy that he made and glazed.

-- Randy, Rustic Artisan, a family tradition. (No PM's - auto-deleted.) - "I am a seeker, not a follower."


8 comments so far

View degoose's profile

degoose

2001 posts in 249 days


posted 42 days ago

Fantastic..I like the burnt look… very reminiscent of the the 70’s here in Aussie. Burnt and brushed pine for furniture.. especially beds..

-- Drink once, cut twice. New website up.... lazylarrywoodworks.com.au

View a1Jim's profile

a1Jim

16841 posts in 472 days


posted 42 days ago

Very nice

-- Jim from Heirloom Woodshop Southern Oregon

View DAN 's profile (online now)

DAN

6441 posts in 878 days


posted 42 days ago

neat … nice job

-- work from your heart and your spirit will live forever

View Jahar100's profile

Jahar100

7 posts in 82 days


posted 41 days ago

Wow…I like it!

View sharad's profile

sharad

711 posts in 699 days


posted 41 days ago

A great creation. Burning and scrubbing with wire brush has produced beautiful effect. Why is it called Jin-Di-Sugi frame?
Sharad

-- patanjali

View drgoodwood's profile

drgoodwood

381 posts in 1022 days


posted 41 days ago

Sharad:

The term “Jin-Di-Sugi” is generally attributed to the Arts & Crafts era furniture John Scott Bradstreet (1845-1914). He used various techniques to accentuate the grain on cypress wood, including fire and chemicals. He apparently learned the technique in Japan, where they allow wood to weather in order to highlight the grain.

Bradstreet’s technique was far more refined than mine. He used ornate carving and complex furniture designs. Examples of his best work generally fetch $100,000’s at auction. My $100 frames pale in comparison.

Many cultures use burning to decorate and finish wood, including: Japanese, Polynesians, Africans and Native Americans.

-- Randy, Rustic Artisan, a family tradition. (No PM's - auto-deleted.) - "I am a seeker, not a follower."

View stefang's profile

stefang

1650 posts in 229 days


posted 41 days ago

Really beautiful frame and tile. I like burned brushed effect. I am now thinking of burning one of my open segment turnings like that, just to see how it would come out. Thanks for the inspiration.

-- Mike, American in Norway

View drgoodwood's profile

drgoodwood

381 posts in 1022 days


posted 40 days ago

Mike:

Give it a try and see what happens.
Generally, I only use the burned brushed effect on soft woods, such as cedar, pine, cypress and redwood.

Hardwoods are more difficult to use with this technique. The difference in burning between the early wood and the late wood on hard woods isn’t enough to make the wire brushing easy. However, the burnt effect can create some interesting finishes.

I have created some interesting effects by boiling oak with ly; then drying, burning and wire brushing.

It’s a learning process.

-- Randy, Rustic Artisan, a family tradition. (No PM's - auto-deleted.) - "I am a seeker, not a follower."

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