|Project by Dan Lyke||posted 10-09-2014 12:41 AM||2113 views||0 times favorited||8 comments|
After years and years of my partner saying “Let’s go dancing”, and me saying “I don’t want to go dancing”, she finally dragged me out to a barn dance at a local farm. I admit, I kinda had fun when I had instructions for what to do, so when she suggested that we go for Modern Western Square Dance lessons, I said “okay”.
After diving into it for a year, I got to the “whatever you want to do, honey, I’m going dancing” stage. Soon, fellow dancers were asking me if, perhaps, I’d ever thought about calling, and now… well… it’s kind of an obsession. And I’m not sure that’s all good.
Modern Western Square Dancing, as defined by the CALLERLAB International Square Dance Caller Association happens at several different levels, “Mainstream” involves about 69 calls, Plus adds another 31, by the time you get to Advanced there’s 181 different calls, and that’s less than half way through the process. Although many people just dance Plus for many years. And many of those calls can be done from different formations.
Anyway, learning this all can be challenging, and different people have different learning styles. So at some point, I stacked up a bunch of 1/4” plywood on the bandsaw, cut out a bunch of circles and squares, hit them with milk paint, and applied some inkjet stickers to give me and fellow dancers some “checkers” to help us figure out formations and movements on the table top (rather than having 8 people crashing into each other). A few of those are on the table in that last picture.
These were a great hit at the club, but this summer we were headed off to Salt Lake City for a several day caller school, and I’d just become enamoured with freehand router use. So I grabbed some maple, mahogany, walnut and white oak (one color wood for each couple’s position in the square), cut some 1/4” thick slabs, used spray adhesive to attach templates with the patterns on them, routed in numbers for the 4 different couples (and “L” and “R” so I had a reminder of which hand was where), filled that with some gold pigment dust and epoxy, sanded it off, and came up with a set of 4 full squares (so I can keep different states of a sequence as I work out how to make it flow).
And then I needed to put together a box to keep them in.
I’m still learning to call, I’ll be headed down to Sunnyvale next Saturday for working on “sight calling” (calling off the cuff and resolving the square from wherever people are), I’m trying to get my voice into singing shape so I don’t feel totally embarrassed when I have lyrics to go along with the moves, but the checkers are a conversation starter.
- That box is a little bulky and heavy, I should spend some more time with the grinder cutting it down.
- That gold colored dust in epoxy ended up a dull yellow, next time I’ll go with black.
- There are better and worse fonts for free-hand routing.
-- Dan Lyke, Petaluma California, http://www.flutterby.net/User:DanLyke