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Almost finished

3K views 20 replies 15 participants last post by  stefang 
#1 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
 

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#2 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
You are definitely showing some artistic talent, way more than I have, but that is not saying much. I have followed your work, and you have a real good start and are hopefully having fun with your painting with wood. Will be waiting for your next woodpainting to appear. Thank you for sharing.
 

Attachments

#3 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
way to go mike, this is a fantastic start into a new wood working genre , and you have done a wonderful job, i sure wish you would get this last part done..im like a cat on a hot tin roof…lol…....and i truly believe that the harder you apply yourself to this, your artistic abilities will increase…your a great wood worker mike and i have full confidence that you will do well in the new adventure…
 

Attachments

#4 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Thank you Gus and Grizz.
 

Attachments

#5 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Wow Mike I'm so impressed ,as I always am with what you do. This is amazing and beautiful. It's great of you to take the time to such a detailed blog too,thanks tons.
 

Attachments

#6 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Mike,
Your dragon is truly a beautiful work of art. I'm looking forward to the finish, good or bad I'm sure a lot has be learned by your efforts. From what I have seen so far I can't imagine this to turn out bad at all.
And thank you for the in-depth blog. All very interesting to say the least.
 

Attachments

#7 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Stunning, absolutely beautiful work. Thanks for posting and sharing this.
 

Attachments

#8 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Stef, I need to read your past post and catch up. For some reason I don't click on the Blog page enough. From what I see on this post your doing a great job. I'll read your other posts in the morning, as Blodie says its time to go out to dinner.
 

Attachments

#9 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
It was quite a trip but well worth it, great marquetry.
 

Attachments

#10 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Hi Mike … Don't loose any sleep worrying about your Marquetry skills!! Just like anything else worth learning … patience and practice eventually lead to success. You have more artistic talent than you've allowed yourself to believe! My advice: Relax and start playing!!! and thanks for keeping us in suspense regarding this beautiful dragon-soon-to-be-two!
 

Attachments

#11 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Thanks for all these positive comments everyone. I appreciate them and find them motivating too. My grandson Vidar who is almost 14yrs. helps us out every Friday after school. He saw the dragon on my side table and remarked that it sure would make a nice Christmas present. I guess we know who he was thinking should get it!

Keep tuned for the DANGEROUS resaw event! My wife will be wearing a crash helmet and have resuscitation equipment standing by. My last words will be "I'M GOING IN!" I just hope I can get it done in time for lunch.

Elaine I have pretty much decided to continue with the window method similar or maybe the same as what you have shown here. One reason is that grain orientation will be very important for the motifs I want to produce. Another reason is that I want to use bigger blades since I do not enjoy working with those little thin ones which are required for Boulle work. I do believe a Chevalet is required to do good Boulle work.

I got some great colors with the two 'Premium Veneer Packets' I received and also an assortment of some beautiful burls in quite a few different colors, all natural. The quantity is pretty modest, but the quality looks great. My main concern apart from keeping the veneers workable is blade control. Even at the lowest speed, it presents a big challenge to me. I hope I can somehow overcome this handicap.

I got a bit of a laugh and also found it interesting that you had used the pedal powered Singer to do your first marquetry. My 92 yr. old MIL moved to the old folks home last Spring and she had one of those in her own home. I would have liked to have it, but we just didn't have any place for it. I'm not sure where it wound up.
 

Attachments

#12 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
If your eyes and hands hold up, this is a good direction to go in woodwork for you I suspect. Your first endeavour was complex enought to teach you quite a bit, and also attractive enough for a gift. That all seems like the description of a successful venture.

Working this weekend, and my wife is out of town, so no shop time. Hope to get some time tomorrow.
 

Attachments

#13 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
+1 on what Elaine said Mike, don't sell your talent or creativity short.

Would you consider a thicker substrate glued on each side before you resaw?
Just thinking of giving more support and giving you something flatter to level after the cut, 1/4" MDF maybe…???
 

Attachments

#14 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Jim Thanks for that. I hope you get some shop time soon. I know it can't be easy for you to run a business, practice medicine full time and give the wife the attention she deserves and have time for a hobby all at the same time. That will change when you eventually retire, but you it may take some time getting used to the change of pace. It sure did for me anyway.

Paul I will do my best to learn more about the creative side. I am definitely going with your advice on the substrates (both sides). I plan to glue them up and press them in the veneer press I will be building next week. I plan to glue up the backing veneers on each side at the same time. I'm not really too worried about the resaw, but I think your way will remove any qualms I might otherwise have had.
 

Attachments

#15 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Just beautiful, Mike
 

Attachments

#16 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Thank you Roger.
 

Attachments

#17 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Looking great! I'm sure the veneer will turn out great.
 

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#18 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Mike I think it looks wonderful. You have done a great job and we all learned a bit.
The resawing would scare the mess out of me.
 

Attachments

#19 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Thanks Dave and Phillip. It's more about the bandsaw than the bandsawer Dave. Mine is made in China, but it has really been a great saw so far and with it's 2hp motor and 12" resaw ability it can do the business.
 

Attachments

#20 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Hey Mike, I haven't been able to post much, but I have followed your very elaborate blog series with marvel and interest for sure. I keep saying I am going to get around to this for years, but you have jumped in and done well at it. Thanks for how you support and encourage we fledgling woodworkers.
 

Attachments

#21 ·
Almost finished

Here is the latest rendition of my dragon marquetry and the original art I took the motif from. I know it can't compare to the original. Nevertheless I hope I have done it justice. I don't know the artists name as it was not listed on the page I took the picture from, but since I am not profiting from it I don't feel too guilty.
Art Painting Terrestrial animal Tail Illustration

Mythical creature Art Painting Creative arts Illustration


WHAT'S NEXT?
There are still several tasks unfinished, these are:

1. The plate has to be flattened and sanded
2. The small gaps have to be filled with sawdust and glue
3. The workpiece will be glued between two panels and veneer applied to the outside of each panel.
4. After the glue cures, the workpiece will be resawed to create two book matched copies.
5. The surfaces will have to be smoothed (no clue as to how I will do this yet).
6. Frames have to be made for both copies. One will be a gift and I will keep the other until I get tired of it.

I plan to blog the resaw and the results of that, good or bad and that will be the last one in this series. I will post it as a project after it has been all finished up and nicely framed.

NEW CHALLENGES AHEAD
I've decided to give veneer marquetry a try. It seems a natural step to take, given all the color and grain choices offered by veneer. I'm doing this with some trepidation as I'm still not sure I will enjoy working with thin delicate veneers on my scrollsaw. Generally speaking it means new skills are needed in the following areas for me. These are:

1. Working with hot glue which will include hammer veneering.
2. Knowing how to condition the different kinds of veneers for use and storage.
3. Using a veneer press to flatten veneers and maybe for some gluing. Not sure yet.
4. Learning how to sand shade properly
5. Becoming familiar with the selection of veneers available
6. Relearning the color wheel (it's easy to forget if you never use it).
7. Finding out which marquetry technique works best for me

Many books have been written about all the other things I need to learn in addition to the above, but these are things are my immediate concern.

STEPS ALREADY TAKEN TOWARDS VENEER MARQUETRY
1. I just received my first shipment of veneers in the post today.
2. A 10ton bottle jack was purchased to power the veneer press I plan to build next week.
3. A veneer saw and a roll of veneer tape is on order.
4. I have a big stash (2kg) of hide glue granules and the equipment to use it.

HELP, ADVICE AND SUPPORT
I am getting help on this front from Paul 'Shipwright', Mathew Nedeljko, and Elaine 'Justoneofme'. Elaine just posted a wonderful marquetry tutorial blog and some very inspiring work she has done. Paul has been posting several marquetry blogs plus given me some very good advice. The same goes for Mathew whose veneer press I am copying. I trust these folks because I've seen their work and they all do some fantastic projects and they are the ones who have inspired me to give marquetry a go. SO A BIG THANK YOU TO YOU ALL!

Because I don't have a Chevalet marquetry saw, I'm sure I will be using Elaine's marquetry technique or at least some pretty darn near it. My main worry is that high quality marquetry is not just a skill or a craft. It is an artistic endeavor basically using wood to paint with. My thought is that if you work with something like this for awhile you might eventually develop some artistic insight and a higher degree of creativeness. That is my hope anyway!

I will be posting a blog to show all the stuff I've gotten to do this work with.
Hi Ken. Most of you 'fledgling woodworkers' are actually way ahead of me. I learn new things about woodworking every day and I still don't know much. I do think it is worth blogging as a beginner at a skill because folks think (and they are right) that if he can do it, so can they. Not being an expert or even particularly good at any particular woodworking skill makes it easy for me to try new stuff without the fear of failing. Remember the Chinese balls?

I've been busy building a veneer press for my marquetry work. It was finished yesterday so now I am getting the dragon ready for resawing. I should be done by the end of next week if I get a chance to work in between seeing eye, hearing and dental specialists. I'm planning to blog about all the stuff I've gotten to continue with marquetry. If I don't keep at it, I can always use my press for gluing rings for my segmented turning or maybe for ironing my shirts!

I bought a book on marquetry a few years ago by William A. Lincoln, a Brit. I've been reading it off and on for quite a while, but it is only now that it is beginning to make sense to me because I have a smidgen of experience and read others blogs about it, plus I am now studying the book and not just reading it. That has made a big difference and I've actually picked up a lot of great info and ideas there. The thing that all amazes me is how many different ways there are to do things, and they are all correct! So I don't intend to be a slave to form. I will still do it the way I want to.

I hope you will be in the shop soon making and posting some stuff. Have fun.
 

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