For those who follow this thread, you know we have been struggling on dying bone. We may have found the solution, at least one of them. Here is a test piece that seems to be dyed all the way through To help the dye to penetrate all the way through the bone I decided to dye the pieces already cut. I had my papers already prepared from the start waiting for the solution The intended green bone pieces were highlighted in green (of course) on the drawing. I cut ...
Here is a short 4 minute video of ASFM master Patrick Edwards demonstrating cutting with Chevalet at Wood Working in America 2014. Great job Patrick!
I put a lot of thought into what the first project would be for my fine sawn veneer before I decided on this particular idea. I would have to say there was also a lot of “putting it off” involved but once the project had been chosen the next question was where to start. I wanted the piece to have interest in both decoration and in function (hence the cantilevered drawers) so before anything else I had to make sure the mechanics were sound. Here are a few shots of the hinge comp...
It seems like only yesterday that I built my first chevalet from a few photos on the internet and began to try to figure out how to use it. Well it wasn’t yesterday and it wasn’t last year either. It was almost four years ago and while I did learn on my own and produced some reasonably good pieces of work, things really started to ramp up for me when I attended The American School of French Marquetry in Feb of 2012 and 2013. The skill training was invaluable but the inspiration...
The veneer press worked perfectly for me using the hot hide glue. I brushed glue on the picture back and the substrate and rubbed it in with circular motions to make sure there would be no dry spots. Here is the sequence of the pressing procedure. This was photographed as I took it out of the press, but I am showing the sequence backwards to give you an idea of how I prepared the glue up for pressing. Photo below: a plastic layer to protect the bottom press caul from glue squeeze-out. ...
As promised some news on the marquetry top for the treasure box series #2 The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones. I first build the pack with 4 layers of paperbacked ebony sawn veneer I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used...
I have been back full time on our boxes for over a week now so I have some progress to report. I have been selecting veneer out of our veneer cellar for the ebony background. From the experience of the previous series I paperbacked the ebony as it is a very brittle wood. Better be safe than sorry Then built the packs in 4 layers without forgetting the grease paper, one of my specialty in the mistake department. Teaching marquetry has been a great help as by reminding the stud...
WARNING An important part of this marquetry, but no woodworking involved. Since I am attempting to take you on my complete novice journey with this project I have to bring up the subject of the design again, but in more detail this time. The design for a marquetry is everything. No matter how beautiful the veneers are or how well cut and joined they are, the final project will be judged on the basis of how good the finished picture looks. You can start out with a very nice photo or ...
You might remember from the last time that I was busy preparing veneers by cutting them to size and also putting reinforcing tape on the face sides. The marquetry will be cut with the back side up and the design in a reverse position (mirror image) placed on top of the packet. Taping or gluing paper on the face side protects the veneers from damage and levels the face veneers so that any differences in veneer thicknesses will appear on the back side and can be sanded/filled to level for gl...
Finally was able to get a little work done on my wizard marquetry. I was planning to make a large picture about the size of two A4 pieces of paper, but I chickened out thinking that it might be wise to keep it A4 size instead to make it more manageable to cut on my Chevalet since I’m so inexperienced with it. The first thing I did was to redraw the picture in the smaller format. This time I remembered to flip the picture first to get a mirror image before tracing it on my light ...
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