Late last year, the boys at the local hardware sent a young bloke over to buy some timber so he could build a Guitar… Electric Bass that is… It even has a name CHERRY DEMON….cool hey And so does he… Johnathan… He had never built one but was going to give it a try… Today we finally got together to build it… you got it… He and I are going to build our first electric bass guitar.. together…. Found a nice piece of Hoop Pine...
Hi!I have previously submitted a soundtrack of the Cain Guitar. The other day My Son brought over a DVD of a Graduation party. The father of the Graduate arranged to have music by a band made up of himself, playing the drums, & some other friends. They got together , & practiced a few times. It turned out really nice. My Granddaughter did the camera work on this, I think she did a fantastic job. I hope you all enjoy this.
This is a Wood Whisperer first: a series featuring an aspiring luthier, Rick Urschel. Rick takes us through the process of building a classic guitar from a kit available at LMII.com. This is Rick’s first attempt at a guitar, and as such, I am not presenting this as a “how-to”. Instead, this is just one man’s experience as he works his butt off making a beautiful guitar for his wife. I think you are really going to enjoy it. A special thanks to Rick for allowing me to “Whisperize” his content!
As you will see from the following pics the back of the body of the guitar blank has been scarfed out with the bandsaw.. this is for comfort when the guitar is tilted out from the guitarist When played the contour would be at the back of the guitar and to the top… I know I am preaching to the choir but some of my readers are even less knowledgeable than me… Using a ROS and 80 grit the contour is smoothed and shaped for comfort… Sanding willcontinue through to 220 grit....
It’s difficult to see what’s going on here. this is a plywood caul that’s screwed down to the mould as a clamp as I glue on the soundboard. It seems easier than the yards of elastic that’s often used for the same purpose. This way to Part Seven
Time, just now, doesn’t allow many words to describe this process. It’s my first attempt an an acoustic guitar. I hope I have taken enough photographs to tell the story. Other than the spruce soundboard, much of the instrument is made from bits and pieces from the shed. Ah yes, I started to make jigs five years ago! This is why I made the thicknessing sander! To Part Two
The exciting conclusion to Rick’s adventure into the world of lutherie. Rick does an incredible job recovering from his previous, nearly disastrous mistake. He takes us through the final assembly as well as his finishing process, which involves a number of techniques including pore-filling, French polish, and wiping varnish. Congratulations to Rick and a huge thank you for letting me tear up your video footage. I know more than a few folks have been inspired to dive into the wonderful w...
Marked out the shape of the headstock… Off to the band saw cut the relief on the headstock… sliced off the excess…[will be smoothed at the TWC] I find having the resaw guide [MagSwitch brand] is easier on the other side of the blade… And now for the Demon shape…. Involving Johnathan in each part of the build… it is his after all … I am just providing the workshop.. and some tuition…NB…. the offcuts were taped to the bla...
..so that’s what the kerfing strips do! Ah yes, a bit of old mantle piece; that’ll do for the two blocks…
Take a long look at your sculpture Stewart; it’s the last you will see of it! Spread the Titebond. Not too much; we don’t want a mess inside there. In the Shaker tradition, even though we can’t see it, The Almighty can. The plywood caul is flexible enough to follow the curvature of the back or front.
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