Above: Take IV on the chair design. Sharp eyes will note that the seat is shorter and the wood overall is 1/2 inch narrower all around, 3 inches down from 3 1/2 inches. This version is screwed together without glue because I anticipate disassembling it and using the parts as patterns for production models. The clamps are holding the ledge pieces on which the seat will rest. They are glued on because I can work around them. Below: How to turn your table saw into a saw table: This chair...
Here is a video of how I made the Diamond Edition holdfast. Still some things to work out, but looks good enough to make an actual one to sell.
It is autumn, once our gathering time. For collecting ideas, it is always time. There is a designed world all around us. Ideas hanging from the rooftops and tree branches and scattered on the ground below our feet. A designed universe whether created by your particular deity or Ma nature or random atoms smashing together: the design of the world is astonishing. The key to it is opening your eyes. Look for forms, find patterns, see the symmetry around us. In the flock of birds, the march of...
With the bed set up in short rails I think its easier to see the effect of the upturned top cap I will post both the original mahogany bed without the upturn and the revised bed with the upturn (in cherry)
Several months ago I posted a proposed design change to the cap rail on my Fremont Bed. At the time, there was a mixed reaction to this. The bed has finally made it to the current spot on my schedule and is now ready to go the finisher. Seeing the bed in “real life” makes it easier to visualize the results. For an easy comparison lets start here with three images from my original post.On the left is the revision – on the right is the original detail While the original design...
My recent Craftsy post on designing furniture for clients. http://www.craftsy.com/blog/2014/08/designing-furniture-for-clients/ I’d love to know what factors others consider when working with clients as opposed to designing for yourself. Thanks!
What causes us to look round the next bend? What makes people want to fly or cross the ocean or play with fire? Why do you do something and then do it again just to see if the results will be the same? Why ask why? All these questions are asked because of a simple if not altogether human trait. This urge pushes us to try things to see what will happen. Like a dog putting his head down between the rocks to sniff out a scent. What is there? What was there? What might be there? Is it that ...
Avoid those teachers who say: This is the only way to do something. Whatever that something may be. That person has never been dancing. Expression is a part of building too. There are lots of ways of building things right. Just like there are several ways of learning. Learning style makes a difference in how well you understand a teacher. Pick a teacher who understands that not everyone is the same. Study with someone who remembers that choice is important too. It’s like a grip. They...
Design starts with a pattern in the sky, a curl in the stem of a plant, the swirl in a coffee cup. It starts with an idea. There is no one single place from which it begins. And so the designer must grab serendipity when it strikes and use it as a stepping stone, a starting point, and then choose from the infinite number of choices then possible. Inspiration is serendipitous. Design on the other hand is hard work and trials and errors and execution. It is iteration and reiteration. It has ...
Think about how you look at others’ work. You don’t look for every mistake. You look at the scope of the project, the effort required. You consider the time spent on design. You see the form, the choice of wood and think about the time taken to mill the lumber. The hours spent on joining pieces together and the detail in the joinery and the weeks spent on shaping and sanding and how the hardware is hung. You step back and look at the whole piece and you know in your heart how much...
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