Video is here if you prefer not to read http://www.youtube.com/watch?v=5lZ1XroRf8o&feature=youtu.be Part 3 of this series is a simple prospect of removing the fret/fingerboard (they’re different names for the same thing) as well as the neck. The traditional joint for a guitar neck to be attached is a dovetail, this one was no exception however it was extremely poor in it’s execution (not surprising considering the number of these they made and the budget they were mad...
Video entry is here https://www.youtube.com/watch?v=u3G8GxAHNmY The first step on this long project is to remove the back of the guitar. The reason we are doing this is two fold, there is a tremendous amount of work that needs to be done to both the back, sides, and top of the guitar. If we were to try to do the level of work that is required through the soundhole we would be far too tedious and would end up with a poorer result. Removing the back allows me extremely easy access to all ...
Video is here: https://youtu.be/QnD6qkNlodc My day job is as a stringed instrument repair “tech” (I don’t really like that word, I just refer to it as fine woodworking) and I like to continue my work at home. This guitar is something that my wife bought for me as a christmas gift last year for a little bit. I was thrilled since it had had no previous “pro” repair jobs done to it which means that my job is still going to be challenging but it will be MUCH ea...
1st Acoustic Guitar Happy-Fun Time #4: Rosette Design, Joining the Soundboard, and Performax 22/44 Fun
I’m swamped with two other concurrent projects at the moment, but I have found time to contemplate a Design for the rosette, as well as play around a little with my new eBay bargain, the Performax 22/44 drum sander. Rosette Theory The idea of the rosette is derived less from artistic design opportunities, which it certainly is, but more by the structural need to reinforce the sound hole in such thin, soft woods like spruce, cedar, redwood, or whatever stock is normally chosen for ...
Postings will slow down somewhat now. This is what I did today. On the router table, trimmed off the overhang on the back of the guitar. Marking out and cutting out for the end-seam inlay strip: I’m using a piece of quilted mahogany / sapele that will match the headstock veneer: My purflings… (Good grief; look at the state of my thumbnail!) and bindings arrived today. Sorry, I didn’t make ‘em! Last thing I did was to super...
Take a long look at your sculpture Stewart; it’s the last you will see of it! Spread the Titebond. Not too much; we don’t want a mess inside there. In the Shaker tradition, even though we can’t see it, The Almighty can. The plywood caul is flexible enough to follow the curvature of the back or front.
It’s difficult to see what’s going on here. this is a plywood caul that’s screwed down to the mould as a clamp as I glue on the soundboard. It seems easier than the yards of elastic that’s often used for the same purpose. This way to Part Seven
..so that’s what the kerfing strips do! Ah yes, a bit of old mantle piece; that’ll do for the two blocks…
A nice piece of mahogany I’ve been saving for a rainy day.. To Part Five
“Why bother to make them? They’re cheap enough!” “Yes, but, it’s what I do!” ...Recycled mahogany. “ To Part Four
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