Hi all,
Here is part three, finishing with shellac. I just wanted to show a beautiful finish which is really easy to apply.
Hope you all enjoy.
Paul
-- Paul Sellers, UK http://paulsellers.com/paul-sellers-blog

Hi all, Here is part three, finishing with shellac. I just wanted to show a beautiful finish which is really easy to apply. Hope you all enjoy. Paul -- Paul Sellers, UK http://paulsellers.com/paul-sellers-blog | |||||||||||
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5 comments so far
nobuckle
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1045 posts in 959 days
#1 posted 550 days ago
Nice! What was the cut for the Shellac?
-- Doug - Make an effort to live by the slogan "We try harder"
Mauricio
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5270 posts in 1349 days
#2 posted 550 days ago
Paul, I can’t tell you how many times in in the middle of a project and I’m thinking, “There has to be an easier way, I know I’m overcomplicating this”. The information you are providing is exactly what I’ve been needing. I just caught your part 4 of 4 on your youtube channel, more great tips, Thanks!
-- Mauricio - Woodstock, GA - "Confusion is the Womb of Learning, with utter conviction being it's Tomb" Prof. T.O. Nitsch
RGtools
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2918 posts in 852 days
#3 posted 550 days ago
What are your thoughts on filling grain before using shellac? I figure if the cut is light enough you can skip that and leave the texture of the wood intact.
-- Make furniture that lasts as long as the tree - Ryan
AttainableApex
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336 posts in 1030 days
#4 posted 550 days ago
ya grain filling takes time and a little pain but it comes out so good on mahogany, especially if the filler is black.
what brush are you using?
-- Ben L
Paul Sellers
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277 posts in 768 days
#5 posted 550 days ago
I start all my shellac with a 1 lb cut, but often end up thinning (cutting US) again cos I leave the lid off the jar. Bad habit of 40 years I suppose.
I only grain-fill on restoration work, not new. I like texture in species so whichever wood I work in can be identified by grain colour, configuration and texture, though I do use dyes and stains where I feel appropriate.
On larger areas I pad, on small projects I lay on with a brush. Here I am using what is called a ‘hake’ used by watercolourists in art. They are not too expensive from Hobby Lobby or Crafts etc type places. A 1” hake will cover a fairly large area without problems. The finish lies flat without brush texture and the advantage of brush-on is of course volume. Two coats usually does the job depending on the cut. I also use paint pads for larger areas. It goes on superfast with no brush or fillament marks, but this works well mainly with flat surfaces and not moulded stock.
-- Paul Sellers, UK http://paulsellers.com/paul-sellers-blog
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