We were contacted by a client to restore his Boulle cartel clock.
Boulle is no fun to restore, it is time consuming and quite a special.
For budget reasons we are restoring his piece by stages. The clock is composed of 3 parts and each of them will be restored in 3 sessions.
We will start with the top
We remove the bronzes
The unglued brass pieces are lifted and rubbing is made for the missing brass elements
The cavities are full of oxidized glue that needs to be cleaned
We apply moisture enough to bring back the fish glue to gel but not to much, as it will un-glue the shell
The back of the brass needs to be cleaned also, b humidifying the glue and scraping it carefully without distorting the brass pieces.
Then the pieces are glued back using fish glue
My favorite for this curves is sand bag or hot sand bag
Time for clean up with “eau japonaise”, an acidic solution with a slight rubbing compound to take of the crud.
Of course with boulle, it will un-glue and I will have to re-glue and re-glue, until it is finally stable.
Then again more rubbing for the shell this time. I used some of our old stock legal shell, the vegetarian type that was used in the 19th century thinner than the meat eater used in earlier boulle. This clock as a black backed shell which is not the mos common color, usually they are backed with red.
Fitting and gluing
I did not take picture of the engraving of the brass but the new pieces had to be engraved. Then pore-filling (more accurately gap filling) and engraving line filling with a mix of pumice and black ash first then ash alone.
I have rarely seen the horn being engraved but on that clock it is, one of the reason to choose a black shell
So after the black “pore filling” I cleaned the black filler out of the shell but the engraving was to faint for the gold to take so I had to re-engrave the shell to create a cavity a little deeper in order to be able to put some gold in there.
Then it is time for french polish
Re-glue the parts
Clean the dirty bronzes while I clean the hide glue of the french polish and touch up the finish where I may have left a print or two
I put an overlay of orange shellac to go a little more on the gold side
Some of the details of the new brass pieces
And now put back everything together
The client is happy and is going to send the next part, so see ya in episod 2 of Boulle Clock Repair!
-- Patrice lejeune