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Discussion starter · #101 ·
Sides Marquetry incrustation

I have been back full time on our boxes for over a week now so I have some progress to report.

I have been selecting veneer out of our veneer cellar for the ebony background.

Image


From the experience of the previous series I paperbacked the ebony as it is a very brittle wood. Better be safe than sorry

Image


Then built the packs in 4 layers without forgetting the grease paper, one of my specialty in the mistake department. Teaching marquetry has been a great help as by reminding the students to not forget it, it seems I myself stopped forgetting to insert it.

Image


When the packs are made I glue the design on

Image


another lesson from the previous series is to drill the packs for the nails. So on this project I used red for the bridges, to be really visible, blue for the nails and a red dot for the entry points.

Image


Next step is to cut the background on the chevy. Ebony is really tough on the blades, very abrasive.

Image


I am cutting all the line away because I really do not want to have to trim the ebony, which may happen if I am to greedy for precision.

Image


Everything is kept inside the pack with tape to keep the integrity of the pack and avoid breaking any piece of the fragile background.

Image


When I am done cutting I remove the tape and carefully remove the plugs of waste.

Image


Then I open the pack layer by layer. I keep the rest pressed at all time to avoid hygrometric variations, as I said before, I really do not want to have to trim my ebony. Also everything is kept in a tray as precaution until I am done incrusting a panel, you sometime do not know right away if you have broken a piece.

Image


16 marquetry panels, some of them are on the other side of the assembly boards, 4 times 4 sides.

Image


I am still missing my green bones. I have not found yet a good recipe. If anyone knows a good way I will be really grateful, it does not seem to want to go all the way through… I am currently testing another recipe.

Image


An I really like some of Patrick choices for the color palette, I think we improved from the first series, we always learn.

Image


Next step, cutting the tops backgrounds and this is going to be a really difficult job. But I will post next week on it, hopefully, if I do not mess up.

In yellow, the bone element, in green the green bone leaves and in blue the isolated background elements that I have to bridge in place and carefully keep.

Image


This is a really exiting project

Cheers
Thank you. I am just glad I have been lucky enough to do that as a living.

You can get gabon ebony if you use sawn veneer or if you resaw your own. For what I understand it is really hard to slice therefore the use of dyed black for sliced veneer marquetry.

I take really the time with the shading it makes such a difference at the end.
 

Attachments

Sides Marquetry incrustation

I have been back full time on our boxes for over a week now so I have some progress to report.

I have been selecting veneer out of our veneer cellar for the ebony background.

Image


From the experience of the previous series I paperbacked the ebony as it is a very brittle wood. Better be safe than sorry

Image


Then built the packs in 4 layers without forgetting the grease paper, one of my specialty in the mistake department. Teaching marquetry has been a great help as by reminding the students to not forget it, it seems I myself stopped forgetting to insert it.

Image


When the packs are made I glue the design on

Image


another lesson from the previous series is to drill the packs for the nails. So on this project I used red for the bridges, to be really visible, blue for the nails and a red dot for the entry points.

Image


Next step is to cut the background on the chevy. Ebony is really tough on the blades, very abrasive.

Image


I am cutting all the line away because I really do not want to have to trim the ebony, which may happen if I am to greedy for precision.

Image


Everything is kept inside the pack with tape to keep the integrity of the pack and avoid breaking any piece of the fragile background.

Image


When I am done cutting I remove the tape and carefully remove the plugs of waste.

Image


Then I open the pack layer by layer. I keep the rest pressed at all time to avoid hygrometric variations, as I said before, I really do not want to have to trim my ebony. Also everything is kept in a tray as precaution until I am done incrusting a panel, you sometime do not know right away if you have broken a piece.

Image


16 marquetry panels, some of them are on the other side of the assembly boards, 4 times 4 sides.

Image


I am still missing my green bones. I have not found yet a good recipe. If anyone knows a good way I will be really grateful, it does not seem to want to go all the way through… I am currently testing another recipe.

Image


An I really like some of Patrick choices for the color palette, I think we improved from the first series, we always learn.

Image


Next step, cutting the tops backgrounds and this is going to be a really difficult job. But I will post next week on it, hopefully, if I do not mess up.

In yellow, the bone element, in green the green bone leaves and in blue the isolated background elements that I have to bridge in place and carefully keep.

Image


This is a really exiting project

Cheers
The color palette is perfect and your cutting is sooo good. I saw the last one of the first series I think this is much better, its the shading I think that makes it look so good.
 

Attachments

Discussion starter · #103 ·
Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
No Patrice, THANK YOU.
This is just so sweet. The cutting and assembly are, of course, great but what impresses me the most is your shading.
It is so "right" looking.

You mention that you soaked the bone to bend it. Did you also soak the ebony. As you know I have some of the same material and to look at it, it doesn't seem very bendable. Perhaps I'll have to give it a try.

The string inlays really set this piece off so it was definitely worth the effort. I think these boxes will be even nicer than the first set ….. no mean feat.

Thanks again.
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Patrice,

Very, very impressive, as Paul wrote, thank you for posting.

Keith
 

Attachments

Discussion starter · #106 ·
Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Thank you.

I did not soak the ebony, I figured that the bone will clamp the ebony in place in the cavity, and I can se some small deferring but nothing really to worry about as it is black. I think it only works because it is in a grove just the right size for the three inlays and therefore they can not really snap, except for the bone if it is not soaked.
This box is definitely way more involved than the first set. I would have simplified the drawing if we did not have presold 2 boxes first, but in fact it is good to as we will produce a more complicated project.
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
WOW! WOW! WOW! That is amazing! Thank you so much for sharing that process
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Once again absolutely amazing and beautiful.
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Wow Patrice, I bet you sweat doing all that cutting and assembly work. Thanks so much for sharing these techniques with us amateurs…we can only dream about producing this kind of work. As Paul says, the shading is masterfully done and brings such realism to the design. Here again, the color palette selection is shown to be outstanding. I couldn't read the units on the scale where you were showing the weight of the pack, can you clarify please…was that 4.78 lbs?

By the way, did you ever figure out how to dye the bone green or are you using wood veneers for the leaves?

Congratulations on already pre-selling two of the boxes in this series! I'm sure these will be worth a fortune when they are done and will only appreciate from there. Great to see there are patrons still willing to support the level of craftsmanship and the time investment it takes to produce such quality work.
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Patrice,

This absolutely takes my breath away! We love your series of photos of the incrustation to show us just how it progresses. The details are so precise; the shading so perfect; the design so lovely! What an heirloom piece!

L/W
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Magnificent! It's easy to make the case that some of the best work in the country is coming out of 3815 Utah. I'm sure the pictures don't do it justice. It's hard to imagine that Riesner or Oeben would have done as well. Spectacular work. My compliments.
Roger
 

Attachments

Discussion starter · #112 ·
Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Thank you.

It was 47.8 oz, 3 lbs. Quite enough to wear muscles down.

We are still investigating the dying. We will start 2 new batches of recipes next week. I still believe in copper sulfate, the vinegar though seem to turn the surface of the bone mushy and it never comes back to shape ending up with half a millimeter bone veneer instead of 1.5mm
We pre-sold the third one a month ago. They are not that expensive even if I could not afford one as most of our pieces… I chose to have a car instead, how stupid is that!

Thank you all for your nice comments.

Next step, work on the box's body, finally die bone green, so we can start veneering the damn thing.
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Every time you share your work is a treat - and you don't need to worry about too many pictures! Thanks for sharing.
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Great post Patrice, thanks for sharing. As for me I feel the more pictures the better, I never get tired of looking at the process.
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
This is such an incredible project and to have you show us your progress is such a wonderful treat! I would not even fathom trying to conquer such an intricate piece. Your documentation is to be commended, as I know how tedious it can be to stop and take photos of a project and this one is quite extraordinary! Thank you for all of your work and showing us how a master creates!
 

Attachments

Discussion starter · #116 ·
Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Thank you again. It is a good thing to me to document my time doing jobs, as I do not really pay attention otherwise and it is good to keep memories to come back to it later and remember, this help to progress.
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Patrice,

I very much appreciate the extra work you do to document your projects with photos. They make following this complex process much simpler. This particular work far outstrips anything I have seen before.

Bone is a porous material composed of several different things, collagen phosphate, sulfate, carbonate and more. The carbonate level for mammal bones is around 8% according to one source. Using an acid based dye may react with the carbonate with unpredictable results but probably not what you want. Have you tried water based dyes? Organic dyes in a solvent might also cause problems and with either, the color may be fugitive and fade in due time.

Chuck Walker
ASFM 2002
 

Attachments

Discussion starter · #118 ·
Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
Thank you for the advice. Yes the acid base, vinegar in my case, which is in a lot of 1700's recipes, seems to attack the surface. I am still convinced that the copper sulfate is a good solution as the molecule is small. Also as it is a chemical dye it should not fade. The 1700's green bone in marquetry are still so bright. They used copper arsenite or Paris green, but as I would like to live a little longer I am investigating other avenue to be on the emerald side of the green.
I will let you know when I figure it out!
 

Attachments

Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
I am awestruck with your work here Patrice. It seems more like a miracle than a piece of art. I can understand why folks who can afford this caliber of work are eager to snap it up regardless of the price. Thanks so much for sharing this with us.
 

Attachments

Discussion starter · #120 ·
Top incrustation

As promised some news on the marquetry top for the treasure box series #2

The challenge here is to insert the oval white bone inlay first then cut the rest of the background repositioning the pack perfectly as some of the marquetry looks like it moves in front and in the back of those bones.

Image


I first build the pack with 4 layers of paperbacked ebony sawn veneer

Image


I used a idea of mine and an idea from Patrick to locate perfectly the veneer with the 2 drawings that had to be used to cut this background twice.

I used lines and a v cut to clamp the pack with the first drawing and he second drawing

Image


Image


and drill 4 holes with a bit the right size to use veneer nails to rebuild the back after cutting the oval.

The drawing for the oval has bridges to keep everything at the right spot

Image


Image


Cutting the cavities on the marquetry chevalet

Image


I prepared a light paper assembly board as I had to glue it twice on an assembly board and did not want to add to much paper and glue to the front.

Image


I had to cut some ebony string inlays to go in sandwich between 2 bones purflings.

Image


And soaked the bone to make them more bendable.

Image


Here is the background with the oval cut done, the ebony string inlay and the bone. The assembly board is ready, the glue is hot and I have podcast on my Ipad, ready to go.

Image


The background is slapped down on the assembly board with hot hide glue

Image


I cut the middle bridges as I go and insert the 3 string inlays in the cavity, here is a particularly horrible picture to illustrate this step

Image


You can see now the locator hole Patrick thought about to rebuild the pack precisely

Image


and the rebuilding in action

Image


Ready to cut some more.

Image


The pack was fairly heavy and the ebony is really hard to cut.

Image


It took me roughly 5 days with 5 hours of cutting a day to finish it. This is after 3 days.

Image


But the locators did work great. As you can see the pieces I had to keep as they were to small for bridges are exactly the same, better than expected.

Image


When I open a pack I always keep all my trash you never know what you are going to miss

Image


Like this broken bridge

Image


I got myself ready for incrustation

Image


Image


A series of picture to illustrate the incrustation session, almost 2 weeks for 4 panels

Image


Image


Image


Image


Image


Image


Image


Image


And as usual I love details shot. Please pardon this excess of pictures, but this has been my biggest marquetry challenge so far and I did sweat a lot on that part, and not only because I was working at 85-92 degrees because of successive heat waves…

Image


Image


Image


Image


Image


Image


Thank you for following !

Cheers!
We are sure lucky to be able to work on those projects.
 

Attachments

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